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The title for the work, «Gore, Quebec», takes its name from a rural township in Eastern Canada. The project was inspired by Kerr’s Farm, a turn-of-the-century farmhouse that was converted into a hotel and then, later, a therapeutic institution.


The work aims to confront and raise questions about the representation of 'otherness'. The choice of the title is a dual reference to the actual setting and to one with fictitious and cinematic allusions to the horror genre.